January 9, 2024

R.I.P. College Football: How Corporate Interests, Greed and Defiance Killed the Game We Loved -- Part I

Greed killed college football

The Michigan Wolverines just defeated the Washington Huskies to win the college football national championship. The victory put a cap on the 2023 college football season but in many ways it also marks the end of 155 years of the country's second oldest organized sport. The events of the last several years, the choices of  university officials, rulings by judges, and other factors have finally brought college football to a tipping point where it seems the sport's most defining rules, guidelines and provisions have been compromised (or altogether eliminated) to the point where college football no longer resembles the sport it once was. NCAA football has become the wild west -- complete with rustlers, guns for hire, and more opportunists and villains than it can handle it seems. Here are all the things that slowly killed the college game.

The demise of college football began with the creeping hand of corporate influence and the money grabbing that ensued. Beginning in the early 1990's, the sports world was seduced by the lure of the big dollars of Fortune 500 and other large companies. The 80's had seen Nike, Adidas, Gatorade and other brands strike deals with college and pro-level teams to provide shoes, apparel and more. These, plus endorsement deals with the decade's individual superstars, including Michael Jordan, Wayne Gretzky and Bo Jackson, had proved tremendously lucrative. As the US economy began roaring under the Clinton administration, and the birth of the internet led to the rise of wealthy tech companies like AOL, Yahoo and Cisco, these companies began looking for ways to elevate their brands and increase public awareness. The tens of millions of viewers watching sporting events each week provided the huge audiences they were looking to reach. 

From the earliest days of baseball -- America's oldest professional sport -- billboards for beer and cigarette brands were a regular site at ballparks and stadiums. Soon after, play-by-play announcers for baseball, football, basketball and boxing began interrupting their calls to offer a word from the sponsor, whether it was a breakfast cereal, shaving cream, or clothing brand. Later, with the advent of television, games were brought to you by local and national companies in industries including hardware, automobiles, hair care and insurance. But this advertising was always in the background -- fairly innocuous and far from anything one would consider obnoxious. But as time changed, businesses of the new economy wanted a bigger bang for the their buck than billboards or live reads could offer. No longer would companies be satisfied with signage inside the stadium. Instead they sought a much higher profile by acquiring naming rights for the stadiums and arenas where teams played. So it was that by the mid-90's corporate sponsorship in sports reached new heights as American sports stadiums and ballparks quickly sold out (no pun intended.) In 1995, Candlestick Park became 3 Com Park, after the manufacturer of networking equipment. In 1996, the newly opening Pac Bell Park would debut. The following year, Jack Murphy Stadium, home of the NFL's San Diego Chargers became Qualcomm Stadium. We also got Coors Field, Invesco Stadium and several others. From coast to coast, our most famous sports venues were unceremoniously rebranded as big corps shelled out millions to have their names attached to sports franchises.

The Death of the Bowl Games

Around the same time this was taking place, there was also a major disruption in the college bowl system. Bowl games had been played since since 1902 and more were gradually added each decade beginning in the 1930's. By the eighties, the corporate giants (with their footprint now clearly established in the NFL) turned to the college game. Thanks to its new, deep pocketed sponsor, the Sugar Bowl became known officially as the "USF&G Sugar Bowl" in 1988. The next year, the Orange Bowl became the "Fedex Orange Bowl." All of the other bowls followed suit and this soon led to an unwieldy increase in the number of bowl games. To this point, bowl games were events rich in tradition and history. (The Sugar Bowl, for example, has been played since 1935 and came about because Louisiana was once the nation's leading producer of sugar. The game's solid silver trophy was made in London in 1830 during the reign of King George IV and was gifted to the bowl's organizers for the inaugural game.) After corporate sponsorship creeped in, history and tradition were swept aside and bowl names were shamelessly bastardized to afford the sponsor top billing in all press materials and during the TV broadcast.

The final step in this grand sell out was to create all new bowl games -- because after all, more bowls meant more money for everyone. It didn't take long for things to get completely out of hand in this regard evidenced by the fact that several of the newer bowl games have no other name other than that of the sponsor itself. Thus we've seen the likes of the Meineke Car Care Bowl, Little Caesar's Pizza Bowl, GoDaddy.com Bowl, and (God help us) the Pop Tarts Bowl, just to name a few.

Compensation and NIL Concerns

While big businesses were scrambling to stake claim of sports venues, and Nike was profiting and building its brand through partnerships with the professional athletes, new opinions began to form regarding compensation for college athletes. For instance, while practically every other nation on the globe sent players from their professional leagues to compete in the Olympics in sports like basketball, and volleyball, the U.S. had long maintained that only amateur athletes should be eligible for the Olympic Games. This was in spite of the fact that track, cycling and other American sports clubs had long been subsidizing its athletes training costs and even paying them stipends -- something that for all intents and purposes amounted to professionalism. But during the late 80's, the International and United States Olympic Committees began relaxing its rules and by 1992 professionals (including the famous "Dream Team") were ruled eligible in practically every Olympic sport. The line between professionals and amateurs became further blurred. 

For decades, the goal for top high school football players was to gain a scholarship to a top university,  excel there, graduate, get drafted and then make all your money in the NFL. Sure, there were unscrupulous backroom deals being made. Various NCAA investigations would reveal that money, cars and other enticements were offered to recruits to sign with a certain school and boosters or "friends of the program" provided cash payments and bonuses for outstanding play. Still, the fundamental tenet remained intact -- paying college players was illegal. Yet there was a growing sentiment that athletes were somehow being exploited. Many reasoned that the hundreds of millions the NCAA's member schools were making from TV rights were gained off of the backs of poor student-athletes. Others pointed to the fat multi-year contracts top coaches were signing. And while it was true that most top players were being paid in the form of full scholarships (a single year's tuition, room and board at major universities like Stanford, Michigan or Duke costs around $60,000 for example) such arguments held little sway. Figures like these seemed a mere pittance compared to the millions the schools were making, Thus, the opinion that college athletes should be paid continued into the 2000's.

Then in 2009, former basketball star Ed O'Bannon, who had led the UCLA Bruins to a national title in 1995, filed a class action against the NCAA to challenge its rules regarding the use of players' likenesses. Among other things, the O'Bannon case argued that the restrictions on compensation for the use of athletes' names, images and likenesses (NIL) for video games, live game telecasts, and other purposes violated antitrust laws. O'Bannon brought the suit after learning that his (and scores of other former players') likenesses were being used in EA Sports NCAA Basketball video games without the players' consent. EA Sports had established a licensing agreement with the NCAA but the individuals players were all left out, making the hypocrisy clear -- others could profit off of the performance and fame of college athletes but not the the athletes themselves. 

Ed O'Bannon and his EA Sports likeness

O'Bannon eventually won the case and EA soon abandoned both its NCAA football and basketball games. Similar lawsuits followed and the courts continued to side against the NCAA. Now, not only was public sentiment seemingly in favor of rewriting compensation rules for college players but so was the legal system. The NCAA was clearly losing its grip as judges (who previously considered college athletics completely subject to NCAA regulations) now felt compelled to step in and overrule longstanding policies.

So the NCAA read the writing on the wall and finally began to seriously consider ways in which players might be compensated. Unfortunately, paying players is a lot easier said than done. Initially, ideas revolved around only paying athletes in the "revenue generating sports" ((baseball, men’s and women’s basketball, football and men’s ice hockey.) It's easy to see how this idea might have quickly been dismissed. First there was the matter of equity. Should the third string safety be paid the same as a Heisman candidate running back?... You can also imagine it wouldn't have been long before someone brought a lawsuit claiming only paying the revenue generating sports teams was discriminatory. And then of course there was Title 9. If you're paying the men's teams and not the women's it was a super safe bet there'd be all kinds of additional lawsuits quickly filed. 

It's possible though that the NCAA never even seriously considered all this because the decision was more or less taken out of the their hands. In 2019, California passed the “Fair Pay to Play Act” -- which was the first state NIL law enacted. The legislation basically set the bar for how college athletes could be compensated moving forward. Players could now to be paid based on their value as an individual. More simply, any player could accept any endorsement deal, appearance fee or other payment available to them in the free market (provided it didn't create a conflict of interest with a deal already signed by the player's school.) The NCAA called the legislation harmful and "an existential threat to college sports" and even toyed with the idea of declaring all NCAA players in states who allowed payments ineligible. But threats don't get much emptier than that. It didn't take long for the association to capitulate to the new paradigm.
 
Conference realignment

Further disruption came to the NCAA's status quo with regard to its member conferences. Since their inception, conference affiliations had been both voluntary and fluid. Technically, institutions were free to switch conferences whenever they wished, so long as they gave notice and paid any agreed upon exit or entrance fees. Despite this, more often than not, a sense of logic prevailed and teams by and large remained in conferences that corresponded with their location on the map. That all changed in the nineties when football powerhouses Penn State and Florida State joined the Big 10 and ACC respectively. Meanwhile, the Big East looked to replicate its success as a basketball conference by adding five football schools. Notre Dame, which had always been staunchly independent, began flirting with the idea of joining the Big 10 and the Southwest Conference disintegrated altogether, its member teams joining the WAC, Conference USA and the Big 8 (which subsequently became the Big 12.) Tradition was once again pushed aside and nonsensical realignments (like Miami joining the Big East) proved that what mattered most now were the financials and what a conference could offer its member schools in terms of TV revenue.





January 4, 2024

The Art of Cinematography: Farrah Fawcett and the Halo Effect

Farrah Fawcett in Cannonball Run

The Cannonball Run is a zany comedy about a group of auto racers competing in a cross country trek from Connecticut to Los Angeles. In addition to Burt Reynolds (who stars as J.J. McClure), Roger Moore, Farrah Fawcett and Dom DeLuise, it features an all-star cast of wacky characters played by the likes of Adrienne Barbeau, Bert Convy, Jamie Farr, Jackie Chan, Mel Tillis, Terry Bradshaw and others. The film is directed by former stuntman Hal Needham, who was known for testosterone-fueled action-comedies like Smokey and the Bandit and was by no means a master of film photography. Nevertheless, as unlikely as it seems and in spite of the genre and subject matter, in Cannonball Run, Needham and cinematographer Michael C. Butler teamed to shoot a handful of gorgeously lit rom/com-like scenes that made the already stunning Farrah Fawcett look positively ethereal. 

One of the methods employed was halo lighting, which uses bright, focused backlighting. This technique makes the subject stand out from the background and creates a glowing, halo effect around it. In Cannonball Run, early scenes introducing Farrah's character Pamela Glover use halo lighting to help establish her as the exquisite, almost otherworldly object of J.J.'s desire. Notice how the backlighting helps carve Pamela from the background and draws you in -- much like J.J. is drawn in when he first spots her in a crowded bar.

Farrah Fawcett & Burt Reynolds in Cannonball Run

Farrah Fawcett & Burt Reynolds in Cannonball Run

Later in the film, J.J. and Pamela share a quiet moment in the back of an ambulance and the two become closer. Needham and Butler employ the same sort of halo lighting to create a romantic glow around Farrah. The technique is especially effective with Farrah because it further accentuates one of her best features -- that golden mane of hair for which she's well known.

Farrah Fawcett in Cannonball Run - Ambulance scene

Farrah Fawcett in Cannonball Run - Ambulance scene

The soft, warm light creates a form of halation and gives her character an almost angelic quality. A similar result can be seen in the below shot from 1984's The Natural, where halo lighting is used to both set Glenn Close's character apart in the crowded stands of a baseball stadium and also symbolize the sense of goodness and purity her character possesses.

Glenn close in The Natural

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December 27, 2023

Great Album Covers: Breakfast in America, Big Lizard in My Backyard and She's So Unusual

Supertramp's Breakfast in America album cover

The cover for Supertramp's 1979 smash Breakfast in America is nothing short of a masterpiece of composition. It features the view from an airplane window of a wonderfully inventive interpretation of New York City. In the foreground, a smiling waitress poses like the Statue of Liberty. In her right hand she holds a tray with a glass of orange juice substituting for a torch. In her other hand, instead of a tablet, is a menu featuring the album's title. Behind her is a model cityscape of Manhattan -- an assortment of high rise buildings and skyscrapers represented perfectly by plain but cleverly arranged salt and pepper shakers, condiment bottles, coffee cups, egg cartons and other breakfast-related items. A year following its release, this album deservingly won a Grammy Award for Best Recording Package.

Dead Milkmen's Big Lizard in My Backyard album cover

Cover art doesn't get much more on the nose than what you see on this, the Dead Milkmen's first album. But the cartoonish illustration (designed by the band's drummer) is also whimsical and consistent with the band's style of injecting humor into its hardcore punk.

Cyndi Lauper's She's So Unusual album cover

Photographed by the legendary Annie Leibovitz, the cover of Cyndi Lauper's 1983 debut LP She's So Unusual helped establish her zany persona. The shot captures Lauper in the middle of some jerky, uninhibited barefoot dancing in front of a wax museum in Coney Island, a Brooklyn, NY neighborhood close to where Lauper grew up. The photo's kinetic energy and the cover's bright splashy colors convey the playful, care-free spirit of both the artist and American zeitgeist in the early 1980's. Interestingly, decades after the album's release, several additional photos from this cover shoot surfaced (see below.)





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November 28, 2023

How Today's Teenagers Are Embracing Nirvana and Other 90's Pop Culture

There are no less than three high schools within four miles of where I live. As a result, the neighborhoods I travel are always crawling with teenagers. In the last several months I've noticed a very curious fashion trend among this set, in that they're often sporting hoodies, sweatshirts and t-shirts featuring 90's bands. Hardly a day goes by in fact when I don't see a pimply-faced sophomore in Nirvana gear. I've also seen Metallica quite a bit, Snoop Dogg, Death Row Records, Foo Fighters and Slipknot. Now I need to stress that this is more than anecdotal (I'm not a big fan of any of these acts so I have no subconscious tendency to notice anyone repping them.) This is something that's both very real and being perpetuated with intention. Apparel makers are cranking out 90's-related clothing and retailers are aggressively promoting it in the teen market. 

Just the other day I saw a large poster in Tilly's window featuring a kid wearing a Nirvana shirt. It made me wonder -- why are merchandisers reaching back to pop culture from thirty years ago to appeal to today's teens? Are they just giving these kids what they've newly discovered and are now embracing? 

Beginning points for cultural trends are often difficult to pinpoint but at the same time, retro style is nothing new. Fashions, music and pop culture figures are often resurrected as they experience periods of nostalgia, usually about twenty years after they first emerged. The 1970's looked back at the 50's with Sha Na Na, American Graffiti, Happy Days, Laverne & Shirley and Grease. The 80's saw comebacks for big hair, stirrup pants, miniskirts, paisley ties and penny loafers -- all popular in the 1960's. The 90's saw revisits to the 70's in The Brady Bunch films, That 70's Show, and the re-release of the original Star Wars trilogy. But currently, for unknown reasons, it seems the first decade of the 2000's is being overlooked in favor of what was popular in the 1990's. 

I ventured into the aforementioned Tilly's to see if I could discover more and realized that my observations were one hundred percent accurate. The store was loaded with apparel celebrating 90's pop culture, including Mike Tyson, the Chicago Bulls (who won six NBA titles in that decade) and Ice Cube. During a subsequent perusal of Tilly's website I found even more 90's apparel -- Friends, The Simpson, Aaliyah, Tupac, and tons and tons of... you guessed it... Nirvana. What is it about that particular band that elevates them so much among today's youth?... Is it their music?... Almost certainly not. This 90's craze that's taking place wasn't triggered by teens going through their parents CD collection and discovering grunge classics like "All Apologies" and "Smells Like Teen Spirit". Could it be the imagery and typography?... After all, the "Nirvana" lettering is pretty cool and the album covers for Nevermind and In Utero, as well as the "zonked out smiley face" logo are all pretty iconic. Yes, the aesthetics of graphic designs for the band are certainly a factor -- but the main reason Nirvana apparel is so ubiquitous today is largely due to the 90's nostalgia I've described and the fact that, while grunge didn't age well or sustain its popularity in subsequent decades, Nirvana is almost unquestionably the seminal band of that era. The same way the Sex Pistols and The Clash still carry the mantle and are revered in punk rock (the most significant rock sub-genre of the 70's) that's the esteem that Nirvana is held in when it comes to grunge (the most significant rock sub-genre of the 90's.) 

And so it was that I came to realize that the reason I'm seeing so many Nirvana shirts is less about the band and their music and more about the position they hold in connection with 90's. When you think about it, it could just as easily have been Pearl Jam except Curt Kobain's premature death by suicide has led to a certain romanticization of the artist's life, thereby creating greater recognition and appreciation for his work. 

In any case, if there's one thing I can't abide it's posers. If they truly like Nirvana's music that's one thing, but these teenagers running around in the band's tees just because all the other kids at the mall are are just plain annoying. And hey, as long as we're paying tribute to 90's alt-rock, I say we get retailers cranking out apparel featuring Smashing Pumpkins, Sonic Youth, Blind Melon, 4 Non Blondes, the Pixies, Liz Phair and of course Alanis Morissette.

Nirvana t-shirt

Pulp Fiction t-shirt

Tilly's t-shirts

Rodman t-shirts

Sublime t-shirt

Nirvana In Utero t-shirt