But of course what Basic Instinct is best known for is its highly sexualized plot and subject matter. Catherine Tramell, we discover, is bisexual and though the film took criticism at the time from the gay community for portraying her as a heartless killer, Basic Instinct deserves praise for having the guts to include a powerful and unashamedly LGB antagonist.
Beyond Tramell's sexual preferences, Basic Instinct's focus on sexuality, violence and general sordidness went to levels reminiscent of film noir -- a particular style of American filmmaking (generally considered to have originated in the 1940's) that features a cinematic focus on cynicism, crime, moral corruption and other "dark", unseemly sides of society. Basic Instinct's story is rife with drug use, stalking, deceit, manipulation, murder and psychological torture, And of course no punches are pulled when it comes to sexual content. In addition to sex scenes as graphic as anything found to that point in an A-list Hollywood feature, there's bondage, sexual assault, and of course Stone's infamous leg-crossing, vagina-revealing interrogation scene.
Moviegoers loved every bit of it and Basic Instinct became a rare spring hit and the fourth highest grossing film of the year. Producers, writers and studio execs noted the film's success and (in the typical fashion of what we know is a copycat industry) began cranking out Basic Instinct clones. In no time at all, Hollywood had fully embraced this new iteration of the movie sub-genre known as "erotic thrillers." Body of Evidence, Consenting Adults, Whispers in the Dark, Sliver and Malice were all released within the year and a half following Basic Instinct but these films certainly can't be considered the first in the genre. Tattoo, Dressed to Kill, Body Heat, Sea of Love, Body Double and Jagged Edge (also written by Eszterhas) from the 1980's, as well as Love Crimes, Under Suspicion and Final Analysis (all released just prior to Basic Instinct) all certainly qualify as erotic thrillers. But what Basic Instinct achieved was to take the core elements of the genre -- danger, suspense, morally ambiguous or outright sociopathic characters, storylines full of plot twists, shadowy cinematography -- and inject it with ultra-heightened levels of sensuality and sexual content. In this way, Basic Instinct raised the bar for the erotic thriller and filmmakers working in the genre began engaging in battles of "can you top this?" as they scripted and shot their films. S&M, group sex, voyeurism and other areas of sexual exploration where Hollywood films had previously only treaded lightly, were now on full display in major productions. From Body of Evidence's infamous Madonna/Willem Dafoe candle wax scene, to Bound, with its focus on the lesbian relationship between the two protagonists, the envelope of explicit sexual content found in erotic thrillers was being pushed further and further.
But of course there's only so far theatrical releases can go in terms of graphic nudity, sex scenes and the like, and only so much A-list talent will agree to. Studios and distributors still had MPAA ratings to consider (Basic Instinct, in fact, had barely dodged the dreaded NC-17.) These factors and the ever-increasing prurient appeal of erotic thrillers led to an explosion of titles made by smaller production companies and then released by independent distributors (or subdivisions of major ones) directly into the home video markets. VHS rentals, cable channels in need of content and (later) the brand new DVD format (first introduced in 1996) gave film distributors viable alternatives for any erotic thrillers that pushed the envelope too far or otherwise weren't suitable for theaters. What's more, erotic thrillers quickly proved to be among the most-watched and most-rented titles. For example, Color of Night (with Bruce Willis and Jane March) flopped upon its release in 1995 but was one of the most rented movies of the year thanks to word of mouth about its explicit sex scenes. Soon a new paradigm was established: script and produce an erotic thriller on the cheap using B- and C-list talent; make it as sexually explicit as you can; combine a titillating adjective (“Indecent”, “Animal”, “Carnal”) with a provocative noun (“Sins”, “Desire”, “Instinct”) for the film's title, then skip theaters entirely and find distribution on late night cable and/or go straight to DVD.
Early 2000's releases like Original Sin, In the Cut and the well-reviewed Mulholland Drive and Unfaithful were some of Hollywood's final entries as the golden age of the erotic thriller wound down. Nevertheless, today you can still find scores of erotic thrillers on the various streaming platforms. Most still adhere to the rules of old paradigm (low budget, B-list talent, no theatrical release, etc.) and only occasionally do you see movies' biggest names revisiting the genre. Still, it's important to remember that in the 1990's many of the decade's most successful actors, actresses and directors (Demi Moore, Kim Basinger, Bruce Willis, Richard Gere, Julianne Moore, Gwyneth Paltrow, Wolfgang Peterson, Phillip Noyce, Barry Levinson and many more) all took swings at the plate with erotic thrillers – and all were looking to duplicate the grand slam home run that was Basic Instinct.
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