February 24, 2023

Super Bowl Ads Lean Heavily into Pop Culture... Here's the Reason Why.

If there is any skepticism regarding either the importance or financial impact of leveraging prevailing pop culture to influence consumerism then look no further than this year's Super Bowl commercials which incorporated a parade of pop culture nods, references, and recollections. These included:

 

So why did these and so many other advertisers (some of the biggest brands in the world) continue the trend of leaning so heavily into pop culture, both past and present, and use it as the foundation of TV ads that cost an average of $7 million to produce and air?... The answer can be found at the intersection of psychology and one of the fundamental tenets of sales and marketing.

Salespeople in any industry will tell you that the following axiom is true:

A customer may not remember everything you said during your pitch but they will definitely remember the way you made them feel.”

As a result, good salespeople go to great lengths in their interactions to make customers feel “heard”… “respected”… “satisfied”… and “understood.” Positive feelings like this lead to positive results, e.g. orders, referrals, recommendations and glowing Yelp reviews. And equally important, positive feelings create and perpetuate a positive brand identity.

That, in essence, is how and why pop-culture was leveraged on Super Bowl Sunday. Michelob's Caddyshack spot tapped into our shared experience of laughing at Bill Murray and company and enjoying one of the funniest comedies ever made. The makers of that commercial recognized that Caddyshack brings back fond memories, makes viewers look up from checking their phone, and pauses their planned trip to the bathroom during the commercial break. But more than that, it makes them feel something – amused, nostalgic, giggly. Psychologically, those individual sentiments coalesce into a general overall positive feeling that is then tied to the brand being advertised. It’s something that's working on both a conscious and subconscious level. 

Referencing pop culture (a popular movie, song, TV show, celebrity, etc.) offers one of the most effective ways to tap into something (a shared experience) that has (or had) mass appeal in order to generate recognition and stir up those positive feelings. In this way, pop culture is the gateway into the hearts and minds of, in this instance, 113 million Super Bowl viewers/consumers. You see and hear Travolta doing the number from Grease; you recall and feel something positive, and that positivity is now associated with the brand. And no, most people are not going to see the spot and run right out and switch from their current carrier to T-Mobile. But it is a way to boost the company's Q rating, which serves as a measurement of the familiarity and appeal of a brand, company, movie, etc. Studies show a clear parallel between high Q ratings and bigger market shares, so the formula is simple:

A pleasing pop culture reference in the commercial creates positive feelings. Positive feelings lead to a higher Q rating, which translates into increased consumer demand.

With regard to this year’s Super Bowl ads, the formula proved quite valid. Behavioral research company Veylinx analyzed the behavior of U.S. consumers pre- and post-Super Bowl LVII and measured the change in demand for the products of several large Super Bowl advertisers. The data revealed that the aforementioned Michelob Caddyshack spot helped the brand realize the single highest in demand increase post-Super Bowl at 19%. Frito-Lay also scored high with a commercial that included Breaking Bad's Walter White (Bryan Cranston) and Jesse Pinkman (Aaron Paul) cooking up PopCorners. That spot saw a 12% demand growth, while Heineken realized 11% growth after its Ant-Man ad.

In terms of strongly influencing purchasing decisions, “online buzz” – measured by statistics like impressions, likes, comments and shares – is also a good indicator. According to social listening and data analytics expert Engagement Labs, brands that were highly successful at driving online buzz through their Super Bowl ads included the aforementioned T-Mobile, Rakuten and Dunkin', as well as Crown Royal with its commercial featuring Dave Grohl from the Foo Fighters. Engagement Labs also posits that greater online buzz about a brand can result in more offline conversations which (though they are far trickier to measure) also greatly impact purchasing.

To be sure, pop culture was not the one and only path to creating a great Super Bowl ad, creating buzz, or spurring customer engagement. E-Trade, as well as pet food company The Farmer's Dog, delivered memorable spots that created conversation and raised brand awareness. But the overall winner in the latter department had to be Tubi. The AVOD streaming service debuted in 2014 but has since gotten lost in the wash of both premier streamers like HBO Max, Hulu and Netflix, as well as other AVODs like Crackle and Pluto TV. What Tubi needed first and foremost was to make people aware of its existence. Once again the strategy for the ad leaned into pop culture, in this case not so much a specific property, but a shared experience growing out of current pop culture. Don't we all from time to time, in the middle of enjoying a show, accidentally hit the wrong button on the remote and bring up the streaming service's homescreen? Tubi cleverly gave us their own take on this common mishap by producing a commercial that looked like the Fox broadcast, complete with commentators Kevin Burkhardt and Greg Olsen welcoming viewers back to the game. Suddenly, the screen changed to the Tubi menu with someone apparently browsing programming selections. The gag fooled practically everyone and had viewers screaming and accusing each other of sitting on the remote. But more than that, it brought Tubi into the consciousness of millions of Americans who previously had no idea what Tubi even is. The ad gained the streamer tons of “earned media” and fresh downloads of the Tubi app. Those downloads translate into new viewers for the streamer to report, which ultimately allows Tubi to charge more for advertising on its platform.

In the end, the Super Bowl advertising reaffirms that popular culture has moved beyond trendiness and beyond the realm of the short-lived, and is something far more than just simply entertaining. It provides cohesion for us as Americans as we’re able to find common ground in our shared appreciation of a popular TV show, song, movie scene, celebrity, etc. Indeed, popular culture has ingrained itself in our society and now influences the way we communicate, how we act, and with regard to advertising specifically, what we value and choose to purchase.


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February 20, 2023

Multiplexing: The Animated Storyboard Trailer

Below is the animatic (rough, animated storyboard) trailer for my independent film, Multiplexing, that I've been trying to get produced for years. Multiplexing is a teen comedy that traces the antics of a group of slackers, slobs and smart-asses working at a typical suburban multiplex and what happens when their theater is chosen to host a big Hollywood premiere. If you want to know the full story behind the movie, how it came to be, and it's journey to get made, check out the film's website.

Many thanks to talented animator Laura Maue, who worked with me on storyboarding and character design and then expertly realized the vision of the film and its story as I distilled it to under 5 minutes.

January 19, 2023

Commercial We Loved: Carl's Jr. Flat Buns

Carl's Jr. was once known for its provocative TV ads featuring scantily clad Paris Hilton, Nina Agdal, Kate Upton and other female models and celebs. It's hard to imagine in today's "Me Too" culture that commercials like these were ever even approved to produce -- much less air and become the identity of the brand. But in bygone days we were treated to not only those aforementioned spots but also the 2007 entry below -- an homage to this sequence from Van Halen's 1984 "Hot for Teacher" music video. In contrast to big butt loving Sir Mix-a-Lot, two high schoolers deliver a clever "whiteboy rap" about their affinity for smaller, "flat buns" -- offered by both the restaurant and their teacher. 

The titillating teacher in this commercial is purported to be actress Natassia Malthe, famous for her lead role in the BloodRayne sequels but the resemblance is questionable and there doesn't seem to be any definitive proof of this online. Whatever your opinion about this commercial, with lines like, "Got no heinie, I call you 'your highness', in anatomy class, you got a butt minus", you can't help but laugh.


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August 15, 2022

Return of the Streaming Wars!


Here is the 4th entry in my ongoing series of audio blogs tracking the streaming industry. I cover all the important news, financials, business deals (and content) for all the major players -- Netflix, Amazon Prime, HBO Max, Paramount + and more! In this episode I discuss:

  • Whether theater moviegoing is back and how this might affect the streaming industry

  • The controversial redefining of what exactly constitutes a "stream"

  • How Nielsen is failing in its efforts to accurately track and report viewership

  • Why Apple TV+ badly needs more content

  • Netflix's crackdown on account sharing

  • Disney+'s $887 million operating loss in Q1

Return of the Streaming Wars (Episode 4)



August 9, 2022

Farewell Olivia

This one is a gut punch. 

I'll start with this: Olivia Newton-John was... IS... one of the best of all time. The sweet-voiced Australian crooner with the majestic name who became a global pop superstar. 

In 1978 (when I was an extremely young Pop Culture Fiend) my mom and I visited my aunt in Philadelphia for two weeks during the summer. I had just seen the movie Grease a week or so earlier and the film had a huge impact on me. Not only was it one of the most entertaining films I'd seen in my then young life, but the music was great and (like so many other pre-pubescent boys my age) I was crushing hard on Olivia Newton-John.

My aunt was fairly well-to-do and had a lot of nice things, including a fancy turntable and eclectic record collection. Her latest addition to that collection was the Grease soundtrack -- which I proceeded to play non-stop for the entirety of my two week stay. When it was finally time to go home, my aunt said to me, "You like that record so much; you can have it." 

That was the first album I ever owned.


Olivia Newton-John was one who broke a lot of trends, beginning her recording career with an entire album of covers, before ultimately evolving her own brand of country-pop, and scoring multiple hits on both of those charts (as well as the easy listening/adult contemporary.) She also set a lot of trends -- being one of the first major artists to release music videos. Her 1982 Physical video album and TV special would set a bar for the medium for years to come -- and the short haircut (with optional head band) she debuted for that album was emulated by women across the nation and became one of the most popular looks of the decade. That Physical video collection would go on to win a Grammy award and "Physical" the single was a chart topper for 10 weeks (a record that stood for ten years) making it the biggest hit of the 1980's. Olivia's aerobics themed video for the song was one that helped launch MTV (which debuted just weeks before "Physical's" release) and that same video was also clearly an inspiration for the current Apple+ series Physical, whose creators even "borrowed" the album's art design and font style.

And of course years before all of this, Olivia had become America's sweetheart when she made her Hollywood movie debut in a role customized just for her -- Australian exchange student, Sandy Olsson in the aforementioned Grease. The film broke box office records, becoming the highest grossing musical of all-time and establishing Olivia as a bona fide movie star. "You're the One That I Want", from the film's soundtrack, reached #1 and "Hopelessly Devoted to You" peaked at #3.

That same year, at the age of only 30, Olivia released her tenth studio album, Totally Hot. It reached #7 on the charts and the lead single "A Little More Love" spent three weeks at #2. Grease was the #1 film of the year, its soundtrack was the #2 album of the year, and Totally Hot went platinum. This was Olivia at the peak of her powers... she was the biggest female star in the world. Wholesome, alluring, a genre-crossing hit-maker in both music and film; she also had a squeaky clean image -- so everyone in entertainment jockeyed to work with her and advertisers in every industry wanted her endorsing their products.

This kind of success seemed almost inevitable for the talented and prolific artist. She had gained attention in Australia and Europe with her first two albums before breaking through internationally with her third LP, Let Me There, which went to #1 on the U.S. Country chart and earned Olivia a Grammy nomination for Best Country Female. The following year (1974) she continued to skyrocket. She represented the UK at 1974's Eurovision Song Contest (won by ABBA, who would later appear on one of Olivia's TV specials.) Later that year, she released If You Love Me Let Me Know, which topped both the country and pop charts. She then repeated this feat with her next effort, 1975's Have You Never Been Mellow. In doing so, she helped blaze a trail for crossover success that would later be traveled by other female singers like Crystal Gayle, Faith Hill, Shania Twain and Taylor Swift. 

Meanwhile, "I Honestly Love You" (off If You Love Me Let Me Know) soared to #1 in the U.S. (and several other countries) before winning Record of the Year at the 1975 Grammys. More cross-chart success and #1's (a lot more) followed, including:
  • "Please Mr. Please" (from Have You Never Been Mellow) - #5 Country, #3 Pop, #1 Easy Listening/Adult Contemporary
  • "Come On Over" (from the 1976 album of the same name) - #1 EL/AC
  • "Don't Stop Believin'" (the title track from her 1976 album) - #1 EL/AC
All tolled, Olivia had 40 entries in Billboard's Hot 100. She racked up six consecutive gold albums from 1973's Let Me Be There through Don't Stop Believin' before releasing a greatest hits album and then taking on Grease, That film's success led to more movies roles, including the beloved cult classic, Xanadu, which spawned a title track that went top ten, as well as the #1 hit, "Magic" (about as perfect a pop song as was ever recorded.) Over her career, this perfection wasn't only modeled in Olivia's signature songs, but in her covers and deep cuts as well -- particularly the ethereal "Falling", "Carried Away" and "Silvery Rain" off of Physical.
    
Finally, as we reached the mid-80's and entered the 90's, Olivia's superstar status began to give way. There were still concerts, occasional film and TV roles (including Two of a Kind, which reunited her with former co-star and friend John Travolta), Grease reunions, and albums that blipped on the charts... and there was a lot of time spent battling the cancer she was first diagnosed with in 1992. 

By the 90's, amidst the rise of hip-hop/urban music, it was no longer cool to like Olivia Newton-John. She was considered too square, too white bread... a relic from the 70's.

I didn't care. Whenever the subjects came up in conversation, I continue to proudly re-state facts:

First album I ever owned: Grease soundtrack
First single I ever owned: "Hopelessly Devoted to You"
First album I ever bought with my own money: Physical

I still have all three of these (the first two on vinyl, the latter on cassette) plus ONJ's Greatest Hits Vol. 2 and Soul Kiss, both of which I bought when they were still on the charts. Years later I would add more from her catalog, including the anthology, Olivia Newton-John: Gold... 

And in memory of this talented, beautiful lady; this icon and seminal artist, I think I'm gonna charge up my AirPods, dig into my collection, and play every single one of her songs. 

R.I.P. ONJ.