So could it be that all of the fear, pressure and angst built up during the 1970's manifested itself in, of all things, the decade’s most popular board games? Consider some of the ones that were best selling and most played at the time and the gameplay each involved:
October 26, 2023
Board Games of the 1970's Highlighted Americans' Angst
So could it be that all of the fear, pressure and angst built up during the 1970's manifested itself in, of all things, the decade’s most popular board games? Consider some of the ones that were best selling and most played at the time and the gameplay each involved:
October 16, 2023
And the Most Beloved (but Embarrassing) Artist of the 80's is... Adam Ant!
Started an open-ended discussion on Reddit recently asking which 80's band or artist do/did you love BUT are kind of ashamed to admit. The many responses ranged from the obvious (Tiffany, Kenny G, New Kids on the Block) to the obscure (Sigue Sigue Sputnik.) The conversation sparked remembrances of long forgotten acts like Cameo, Winger and El Debarge, shout outs to the criminally underrated ABC and Human League, and confessions by unabashed metal heads of their secret love for Madonna and Debbie Gibson. But surprisingly, the number one artist (measured by mentions in comments and subsequent upvotes) was British new waver Adam Ant...
Cyndi Lauper, Huey Lewis and the News, Genesis, Pet Shop Boys and Warrant all fared well but the top five are listed below.
Adam Ant - 101
Air Supply - 67
Wham/George Michael - 57
Ratt - 57
Go-Go's - 33
The Cure - 26
Related Posts:
10 Songs That Defined The 80's
October 4, 2023
Family Guy's Funniest Pop Culture References, Vol. 2
Peter gets a little lost was traveling on the Great Space Coaster.
Now we know what happened to the other three Friends cast members.
It's true -- you never realized how disturbing the Lost in Space plots actually were.
Popeye is having health problems.
Peter falls in love with Kathy Ireland (sort of) and croons a Billy Ocean tune.
September 25, 2023
The Pop Culture Fiend Photo Gallery is Finally Here!
The Pop Culture Fiend Archives includes an extensive collection of popular (and obscure) periodicals dating back as far as the early 1980's. My closets house crates and bins with literally hundreds of magazines (from a wide variety of genres) including Time, Newsweek, People, Us, Ebony, Sports Illustrated, Flex, Ironman, Muscle and Fitness, Runners World, Tennis, Men's Health, GQ, Vanity Fare, Cosmopolitan, Elle, Vogue, Glamour, Mademoiselle, Photo and Rolling Stone. The collection also includes defunct titles like Maxim, Stuff, Spin, Spy, Entertainment Weekly, InStyle, Life, U.S. News & World Report, Sport, Parade, Premiere, Movieline and Playboy; along with several short-lived and/or long forgotten ones like Details, Detour, Model, Mouth to Mouth, Code, Bikini, Razor, Inside Sports, and Mirabella.
Now in addition to these full issues that take up far too much of my closet space, there were also scores of other issues that I chose to get rid of... but not before I clipped and saved a ton of their best and coolest articles and photos. These photos now occupy yet another plastic storage container in my humble dwelling and now, after many, MANY years, I've finally gotten around to scanning/digitizing them so they can be preserved and shared. You can scroll to see some of my first batch and I'll also be posting a lot of these to relevant communities on Reddit, including subs like r/OldSchoolCelebs, r/80s, r/90s, r/ClassicScreenBeauties and r/GenX.
Finally, know that many of these photos are extremely rare. I Google image searched a bunch of them and in many instances didn't find them anywhere else on the internet. So I guess props to me for being the conscientious custodian and curator of this content. After all, there aren't many of us who possess such a volume of 30-40 year old magazines and photos, or who would take the time to scan, digitally enhance, upload and publish them online.
I guess that's just what makes me the Pop Culture Fiend.
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| Richard Gere in costume for The Cotton Club - 1984 |
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| Belinda Carlisle - 1988 |
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| Farrah Fawcett - 1990's |
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| Bruce Willis |
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| Cybill Shepherd |
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| Salma Hayek |
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| Patti Smyth (former lead singer of Scandal) - 1988 |
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| 80's stars Demi Moore, Emilio Estevez, Melissa Gilbert & Rob Lowe at an anti-nuke event |
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| Billy Joel & Christie Brinkley |
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| Natasha Henstridge |
July 24, 2023
40 Years Ago, Risky Business Legitimized Teen Comedy
With due respect to the John Hughes' classic The Breakfast Club, the most important teen movie of the 1980's may very well be Risky Business. Released 40 years ago, Paul Brickman's Risky Business legitimized teen comedy like no film before it and set the stage for the “High Renaissance” of that subgenre that took place in the middle of the decade.
The early 1980's was an era filled with “high school boys looking to get laid” comedies (e.g., Porky's, Losin' it, My Tutor) that were thin on story and heavy on goofy, sometimes inane, humor. But then Risky Business comes along, featuring that same teenage boy out for sex... except now we get to see WHY he's experiencing that sexual frustration (as well as a ton of other anxiety.) We witness the pressure he feels (some applied by his parents, some self-imposed) to raise his SAT score, join school clubs he has little interest in, and get accepted into the college not he, but his parents want. Tom Cruise's Joel Goodson was the first Gen X hero – bored, disillusioned, forced down paths he's not sure he wants to tread and enduring a suburban hell complete with a pristine home/prison, successful parents he can never please or measure up to, and a voice in his head warning he'll “never have a future.” As Joel courageously tries to live up to his surname, his attempts to relieve his growing angst by defiantly maxing the volume on the family stereo and joyriding in his dad's Porsche prove insufficient. Though the apprehension he feels about where he's headed in life is apparent, relief seems unattainable. That is until he's pointed to call girl named Lana with the promise, “It's what you want... it's what every white boy off the lake wants.” It's this exploration of the unknown – the dark, not so pristine world of sex, prostitutes, and life or death run-ins with “killer pimps” – that drives the story of this restless, uneasy Gen-X teenager.
It wouldn't be until the middle of the decade – with Hughes' Breakfast Club, Pretty in Pink, Some Kind of Wonderful trilogy – that teen comedies would so earnestly acknowledge and portray the contemporary fears and anxieties of those of us who came of age in the 80's. Joel's experience in Risky Business underscored a generation's gnawing need to subvert societal conventions and oblivious parents who failed to recognize how much emotional turmoil we were in as we struggled to figure out who we were and what should come next. In the process, we also had to navigate our way through expectations of continuing the American familial tradition that existed since the Great Depression, whereby each succeeding generation acquired more wealth and success than their parents. In these ways, Risky Business actually defined Gen X, crystallized its world view and authored its motto with the ironic and oft quoted line, “Sometimes you gotta say, 'what the fuck.'”
Risky Business would proceed to enter the zeitgeist in several ways. The scene where Joel slides across the hardwood floor in his socks became instantly iconic and has been parodied in everything from The Simpsons to video game commercials. Cruise's wardrobe in the film -- Docksiders, button down dress shirts, Izod polos – became the standard for preppies everywhere and after he sported 60's style Ray Bans in multiple scenes, the brand saw a resurgence that continues to this day. Risky Business proved particularly popular among college students, so much so that within six months, it was screening on university campuses and the film's one-sheet was pretty much the coolest thing you could have hanging in your dorm room. By the following fall, the film was a mainstay on HBO and its many memorable lines -- including “Get off the babysitter!”, “Porsche, there is no substitute.” and “Looks like University of Illinois!” -- were being quoted ad nauseum.
Risky Business further set itself apart with its artful cinematography (Lana’s first appearance; the train sequence) and an ethereal original score by Tangerine Dream that proved a huge departure from the typical teen movie soundtrack full of contemporary pop and new wave hits.
The end result saw audiences immediately embracing the film and its stars. Risky Business grossed $63 million on a $6 million budget and, boosted by positive word of mouth and a strong second run, would finish as the eighth highest grossing film of the year and the #2 comedy behind only Trading Places. An unknown Rebecca De Mornay (who won the role of Lana after Michelle Pfeiffer passed) was catapulted to Hollywood's A-list and, though she worked sparingly, graduated to starring roles in The Trip to Bountiful, The Slugger's Wife, and the And God Created Woman remake. Over her career, she's delivered a string of stellar but overlooked performances in films like Runaway Train, The Three Musketeers and The Hand That Rocks the Cradle. Oh, and that Cruise guy did okay too – starring in films that grossed a combined $10 billion at the box office, earning multiple Oscar nominations and becoming what many consider to be “the last Hollywood movie star.”
Now, forty years later we can look back at Risky Business and it's cleverly written script as the teen comedy that broke the mold and forged an alternative paradigm for the sub-genre. With its more serious take on the teen experience – in this case, through its The Graduate-like themes of eschewing the supposed American dream of an Ivy League education, landing a high paying job, and moving to the suburbs – Risky Business paved the way for John Hughes' films, Say Anything, Adventureland, and virtually every other smart, thoughtful teen comedy that followed.
Related Posts:
The Evolution of the 80s Teen Movie - How Bob Clark, Gen X, and Home Video Changed the Landscape of American Cinema
The Evolution of the 80s Teen Movie - How Bob Clark, Gen X, and Home Video Changed the Landscape of American Cinema - Part II
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