April 30, 2024

R.I.P. College Football: How Corporate Interests, Greed and Defiance Killed the Game We Loved -- Part II

Below is Part II of an examination of the decades-long series of events, decisions, compromises and money-grabs that led to the end of college football as we know it. I strongly recommend reading Part I before continuing.

Obsession to Crown a Champion 

Certainly, the aim of practically every college athletic squad is a championship but for college football that quest required the glorious winning of your bowl game. With the new system, bowl games seemed like they would be getting in the way of the new aim -- chasing an undisputed title and gaining the biggest payday along the way. 

By 1990 there were nineteen bowl games and both schools and coaches considered it an honor to play in them. For players, your collegiate career simply wasn't complete unless you played in and won a bowl game. But as the nineties moved forward, with realignment taking place and big corporate dollars entering the game, the NCAA and college football's power brokers began to wonder if the bowl system had run its course. Football had long been the only college sport where the champion was not determined by some form of tournament or playoff. In addition, since 1968 (when the Associated Press began crowning a national champion) the two top-ranked teams had faced one other in a bowl game only six times. For a time, United Press International also crowned a champion -- sometimes a different one than the AP. In 1978, for example, USC and Alabama each won their bowl game and both finished with one loss. The result was a split national championship -- UPI selected USC and AP chose Alabama (despite the head-scratching fact that Alabama's lone loss was to USC.) Further complicating matters was that many conferences had contractual agreements with bowl committees that bound the conference champion to play in a specific bowl, regardless of any other circumstance. Thus, it was common for the two top-ranked teams at the end of the regular season to never have the opportunity to meet and decide a unanimous national champion. This obviously created lively debate in years where there was no consensus single best team in the land. The situation went on for decades until the early nineties when, after two straight years of controversy (1990 and 1991) the call for a #1 vs. #2 national championship game could, in the eyes of some, no longer be ignored.

College football began experimenting, first with a "Bowl Coalition" and then the "Bowl Alliance", whose rules and structure mandated a meeting between #1 and #2 to be contested in one of the major bowls. The Bowl Championship Series combined polls with computer rankings to determine the two best teams so they could be pitted against one another; the NCAA secured big dollars from sponsors and broadcasters for these games; and all of the top football schools in the country had dollar signs in their eyes more than ever. Unfortunately, there were two major problems with BCS. First, the computer rankings were both convoluted and often called into question. Second, because the goal now was to have a definitive determination after the end of the season rankings, it meant that bowl games would have to defer and forgo years of tradition so that teams that previously had been playing for berths in specific major bowls would now be free to play in others. For example, if the PAC 12 champion was one of the top two teams, it wouldn't necessarily be playing the Big 10 champion in the Rose Bowl, as had always been the case. Similarly, the SEC winner was no longer bound to the Sugar Bowl. Other traditional tie-ins were also affected and the free for all that resulted became yet another indicator of how unmanageable college football was becoming. Certainly, the aim of practically every athletic squad is a championship but for college football that quest required the glorious winning of your bowl game. With the new system, bowl games seemed like they would be getting in the way of the new aim -- chasing an undisputed title and gaining the biggest payday along the way. 

A series of selection controversies ensued and itsoon became apparent that the BCS was fundamentally flawed. 
  • In 2001, Oregon, ranked second in the AP poll, was bypassed for the championship game in favor of Nebraska -- despite Nebraska's 62-36 blowout loss to Colorado in its final regular season game. 
  • In 2003, three BCS Automatic Qualifying (AQ) conference teams (LSU, Oklahoma and USC) finished the regular season with one loss. Three (Non-AQ) conference teams also finished with one loss (TCU, Boise State and Miami of Ohio) sparking the argument that the BCS was unfair to Non-AQ conference teams. LSU beat Oklahoma in the BCS Championship game and USC beat Michigan in the Rose Bowl and ended up No. 1 in the final AP poll, resulting in yet another split national championship.
  •  In 2008, Utah was excluded from the BCS championship (despite being the only undefeated Division 1 team) and finished second in the final AP poll behind Florida. 
  • In 2009, five schools finished the regular season undefeated: Alabama, Texas, Cincinnati, TCU, and Boise State. The BCS formula selected traditional powers Alabama and Texas as the top two teams, which again fueled cries of bias toward the traditional powers.
  • In 2010, three teams -- Oregon, Auburn, and TCU -- all finished the year with undefeated records. While TCU statistically led the other two teams in all three major phases of the game (1st in defense, 14th in offense and 13th in special teams) Oregon and Auburn were selected for the national title game. 
Clearly the BCS was just as controversial and no better than the polls previously used to determine a champion. The call for some sort of playoff format grew increasingly louder. But a playoff wouldn't be easy to execute. Football wouldn't be able to mimic the NCAA basketball tournament where teams play every other day. Football players needed recovery time, so unless teams were willing to play into late January and February, anything other than a four team playoff would be unfeasible. So that's where things landed. Today we essentially have a four team football championship tournament with (presumably) the four highest ranked teams in the final regular season poll as the participants. 

I say "presumably" because the selection committee, as it did this past season, is free to choose whomever they deem to be the four best teams, regardless of their record, if they won their conference championship, or any other factors. So this entire system solves nothing. The four teams selected continue to be second guessed the same way they were when the national champion was subjectively named subsequent to the bowl games. We witnessed this just this past season when Florida State was left out of the top four despite being undefeated and winning its conference. This type of controversy led the NCAA to expand the playoff to 12 teams beginning with the 2024 season. But of course this won't solve anything either, as the teams that finish 13th, 14th, 15th, etc., will almost always have a case for why they should have been chosen over another program. The expansion also serves to further diminish the prestige and tradition of the bowl games, essentially making them simply the venues or "containers" for the series of playoff games. 

Moreover, with the bowl games so devalued, players have begun sitting out. Many of them no doubt question why they should play in something like the Duke's Mayo Bowl when it means risking injury and jeopardizing a fat pro contract. Not long ago, passing on your bowl game would have been unheard of but in the 2003, University of Miami running back Willis McGahee took a brutal hit in the Fiesta Bowl that destroyed his left knee. McGahee was a Heisman finalist and top pro prospect expected to go in the top five of the NFL draft -- but after the injury his stock fell and he wasn't selected until the 23rd pick. 


Jaylon Smith's story is similar. The former Notre Dame linebacker was projected as a top pick in the 2016 draft before tearing ligaments in his knee and sustaining nerve damage during the Fiesta Bowl. This led to a steep fall in Smith's draft stock -- one that cost him an estimated $10-$20 million. 

Smith's and McGahee's stories became cautionary tales for players. With bowl games now having no real significance unless they are part of the college football playoff, top players today often opt out of their bowl games and begin preparing for the draft. (Christian McCaffrey, Bradley Chubb, Anthony Richardson, Kenny Pickett, Breece Hall and this year's number one pick Caleb Williams are good examples,)

Defiance and Concessions
The tide of public sentiment, pushback, criticism from every direction, and now lawsuits have become too much for the NCAA to navigate and still operate as an effective governing body.
Over the last few decades, America has become increasingly (dare I say excessively) litigious. Didn't get into the college of your choice?.. File a lawsuit claiming discrimination... Don't like the state telling you to close your business during the pandemic?... Take it to court... Madonna concert started two hours late?... Sue her. 

It's emblematic of what our nation has become -- unwilling to do the hard things and unaccepting of circumstances and judgments that don't go in our favor. It's famously said the the U.S. is a nation of laws... but that only works when its citizenry recognizes and submits to some type of authority. This doesn't mean we should all swallow whatever the powers that be hand out. Certainly there are injustices we suffer and manifestations of idiocracy that are foisted upon us. It's right to challenge things like this. But the pendulum has swung too far in the other direction and we've lost our sense of being members of a society. Every single thing that goes against us is now falsely labeled as being an infringement on our civil rights.

The NCAA serves as a organization that regulates student athletics for over a thousand member schools and close to half a million student athletes. But the NCAA can only accomplish this when its constituents operate under -- and yes, submit -- to the NCAA's rulings. Somewhere along the way, it became the norm to not only criticize the NCAA but also question its authority to prescribe the guidelines and regulations to which its member schools must adhere. 
 
As a result, we've seen an abundance of federal (and even Supreme Court) cases targeting the NCAA -- challenges to rulings on player eligibility, appeals for reversal of sanctions levied for recruiting violations, and more. This past season was a great example. The University of Michigan, after preliminary investigation by the Big Ten conference, was deemed to have violated an NCAA rule that prohibits off-campus, in-person scouting of future opponents. Allegedly, this was part of an elaborate scheme to steal opponents' signs. As a penalty, Michigan head coach Jim Harbaugh (who had run afoul of the NCAA more than once prior) was suspended for three games. What was Michigan's response? After penning a letter that first contested Big Ten commissioner Tony Petitti's jurisdiction in punishing the program, the school issued a lengthy statement that condemned the conference (and the NCAA) for rushing to judgment before a full investigation could be completed. Significantly, no where along the line did Harbaugh or anyone else connected with the school expressly deny that cheating had taken place -- the video evidence of Wolverines off-field analyst Connor Stallions clearly visible on the sideline at a Central Michigan game was too damning for that. Yet that didn't stop Michigan heading further down the legal path and securing a temporary restraining order against Harbaugh's suspension.

Again, governing bodies -- in any sector of society but particularly sports leagues --- can only operate effectively when those governed willingly abide. This is how societies and other entities are able to function. We all agree to pull our cars to the side of the road to let an ambulance go by. We all stand in line and wait our turn at the post office. We all accept the determinations of our teachers as they dole out grades on our math tests. In each of these instances, there's agreement to stipulate to the judgement a higher authority. But the grievance and litigiousness that now permeates American society in general has made its way into college football: 

Coach got suspended for stealing signs?... Find a judge to issue a stay... NCAA penalized your school for recruiting violations?... File a lawsuit... Star wide out got ruled ineligible?... Rip the NCAA in the media and conduct a public relations war until they cave.

What makes this even worse is the indignance that often accompanies it. ESPN commentator (and Michigan alumnus) Desmond Howard came to Harbaugh's defense. Eleven members of the Michigan House of Representatives penned a letter to the Big Ten expressing outrage. Still, what we didn't hear from either of those parties was a flat out denial or even a plausible explanation for the preponderance of video and other evidence against Stallions and the Michigan program. At no point was anyone at Michigan willing to own up to what most deemed obvious. Instead, the conference and the NCAA got slammed for supposedly denying due process. It was a very Trumpian response, in that the perpetrator of wrongdoings turns to legal challenges, injunctions, claims of unfair treatment and delay tactics. In Michigan's case, it seems to have worked. The NCAA agreed to drop its investigation of Harbaugh; he served his three game wrist slap suspension and the team went on to make the college playoff and win the national title. Now, with Harbaugh having left the university for the greener pastures of the NFL, the entire matter will likely be forgotten, even though its entirely likely that what transpired is grounds for Michigan's championship to be vacated.

It's all because the tide of public sentiment, pushback, criticism from every direction, and now lawsuits have become too much for the NCAA to navigate and still serve as an effective body. The association has lost significant portions of its respect and its power in recent year and has acquiesced to this pressure by changing many of its most longstanding and necessary rules... even those critical to maintaining fairness, parity, and competitive balance in the sport. Which brings me to the final factor that has led to the degradation of college football.

The transfer portal
Prior to the NCAA's rule change, very few transfers would have been permissible without the player having to sit out a year. Today these kinds of ridiculous musical chairs scenarios are happening en masse across the NCAA each and every season.
Facing a tidal wave of negative press, rebellion in the ranks and what seemed like an endless string of lawsuits, the NCAA's capitulation continued. Cries of hypocrisy were launched, this time against the rules surrounding the eligibility of transfer athletes. 
 
The transfer portal launched in the fall of 2018, so it's not as new as many believe. It was implemented to bring more order and process to the mechanics of student athletes seeking to change schools. Windows were established where players could formally enter the portal, schools and coaches could view statuses, and player compliance to all requirements needed to transfer could be tracked. But in 2021, due to the disintegrating power of the NCAA, it once again made concessions to longstanding policies and ratified a new rule that allowed athletes in all sports to transfer without sitting out a year. (Previously, with regard to the five traditional “revenue sports”, upon transferring, players were required to sit out for a season before they were eligible -- except in instances where the athlete was moving from FBS to FCS, or unless they were granted a special waiver.) This concession pleased players and most of the NCAA's critics who were failing to understand (or didn't care) that the "sit out a year" rule was one of the last tools the NCAA had to prevent under the table payments that could entice players to leave one program in favor of another. It also was one of the only ways to dissuade them from leaving a school just to chase bigger and better NIL money. 

The rule change effectively turned the transfer portal into, in the words of one NCAA official from the SEC, "chaos." Players today  are transferring schools at an alarming rate simply because they believe they're not getting enough playing time... or because their position coach left... or because the team underperformed or isn't on TV enough. Take the case below.

In 2018, JT Daniels was the starting quarterback for USC. He played a year and then in the opening game of the 2019 season, tore his ACL Kedon Slovis became the new starter and played so well that rather than staying and trying to win his job back, Daniels decided to transfer Georgia. He was granted immediate eligibility to play and in 2020 he started four games and shared the position with Stetson Bennett that season. Then, in 2021 spotty play and injuries saw Daniels lose his job to Bennett so Daniels took advantage of the new NCAA transfer rule and switched schools again, this time moving to West Virginia for the 2022 season. Halfway through the year, he was benched and on Dec 5 of that year (you guessed it) Daniels entered the transfer portal a third time and wound up at Rice. 

Meanwhile, back at USC, Jaxson Dart replaced Slovis who wasn't playing well. Slovis, having lost his starting job, transferred to Pitt. But the next off season USC hired Lincoln Riley as head coach and it was rumored that QB Caleb Williams, who played for Riley at Oklahoma, would follow Riley to LA so Dart entered the portal and transferred to Ole Miss. Williams departure from Oklahoma left the starting job there vacant and it could have been filled by Spencer Rattler, who was the starter prior to Williams... except as soon as Williams took Rattler's job the previous season, Rattler transferred to South Carolina... Chaos indeed.

Prior to the NCAA's rule change, very few transfers would have been permissible without the player having to sit out a year. Today these kinds of ridiculous musical chairs scenarios are happening en masse across the NCAA each and every season. A year ago, 456 scholarship players appeared in the portal on Day 1 and 780 total players from FBS, FCS and Division II went in. This non-stop program hopping severely injures the competitive balance of the sport, as high caliber players at every position now transfer at the mere hint of losing their starter status, to follow a coach, or for potentially larger NIL payments. The latter two almost certainly had a lot to do with the University of Colorado's 2023 season. New coach Deion Sanders brought in an astonishing 53 transfers --  that's close to half of the team's total roster. Sanders' celebrity, relatability to the modern athlete and the type of culture he fosters had a lot to do with this -- but so did NIL. Sanders had numerous endorsement deals in place long before he made it to in Colorado and upon his arrival his celebrity and star personality shined a spotlight on the program among sponsors and advertisers looking to attach their brand to a team that was increasingly gaining national attention. And as we know, more advertisers equal more NIL opportunity for players.

An illustration of the first football game held on Nov. 6, 1869
Illustration of the very first college football game -- Princeton vs Rutgers, 1869

Thus we can all say goodbye to the game we once loved. America's second oldest team sport in fact, played since 1869. College football is more of a "showcase" now than a sport. It used to be the name on the front of the jersey that mattered -- now it's the name on the back. Players used to play for the honor of winning the PAC 12 championship, or Bedlam, or making the All-America team and being introduced on a Bob Hope Special. Now all of those things are extinct and players aspire to star in the next Dr. Pepper "Fansville"  commercial. The NCAA, once a steadfast authority that oversaw all aspects of the game, is accused of being out of touch with the modern athlete and is now ridiculed by coaches and university presidents at every turn. No longer is there any allegiance to conference or to school. Those things are mere niceties best left to us simple, naive and wistfully nostalgic fans.

So long college football. We'll miss you.

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March 21, 2024

Darth Vader's Lamest Excuses for Being Late for His Meeting with the Emperor

Needed extra time to iron my cape. Can't intimidate the rebel scum with wrinkles you know!

Doctor's appointment. (Not sure if you can tell but I kind of have a breathing problem.)

TIE fighter got stuck in traffic. Who would have thought there'd be rush hour in hyperspace?

Buried in paperwork -- mostly workers comp claims from Death Star explosion.

Darth Vader in his office facing a mountain of paperwork

Got delayed on Tatooine. Turns out, they actually weren't the droids we're looking for.

Lightsaber wasn't working. Went to Target to snag fresh batteries. 


Darth Vader changing the batteries in his light saber

Disturbance in the Force upset my stomach. Had to stop at Rite Aid for some Pepto Bismol.

Hungover from drinking games last night. (Pro tip: Never try to chug against Jabba the Hut.)

Darth Vader and Jabba the Hut in a bar chugging beers

Lost track of time trying to learn all the Stormtroopers first names. (Why do all these guys have to look so much alike anyway?)

Force-choked another imperial officer and got called in to HR.

Family emergency. Had to reveal my identity to my son and then chop off his hand.


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March 20, 2024

Great Album Covers: A Momentary Lapse of Reason, Superman & Dookie

Pink Floyd album A Momentary Lapse of Reason

Pink Floyd's A Momentary Lapse of Reason -- unlike many of the band's greater efforts (The Final Cut, Dark Side of the Moon, The Wall) -- is not a concept album. The cover photo, on the other hand, is highly conceptual, conveying ideas of isolation, loneliness and irrationality. When contemplating prospective cover art, lyrics from the album track "Yet Another Movie" brought images of an empty bed to Pink Floyd guitarist David Gilmour. Gilmour explained his idea to Storm Thorgerson whose design firm was responsible for several notable rock album covers including the aforementioned Dark Side of the Moon, Led Zeppelin's Houses of the Holy and Pieces of Eight by Styx. Thorgerson's final design was a type of installation art that provided a nod to the album's track list and incorporated a soaring hang glider ("Learning to Fly") and several dogs ("Dogs of War") occupying an English beach with not one, but 700 carefully arranged wrought iron Victorian beds. Though shot on a typical gray day, the sky we see has a lovely purplish hue, which gives the photo and this cover a wonderfully serene feel. 

Barbra Streisand album Superman

Barbra Streisand's nineteenth album would be one of her best-selling. Released in 1977 when she was coming off the success of the chart topping "Evergreen" single and three straight box office hits (The Way We Were, Funny Lady and A Star is Born) Streisand was arguably at the peak of her career and rightly being considered the biggest female talent in entertainment. But on the Superman cover she belies prevailing opinions with a simple, demure pose against a plain blue backdrop. Wearing a white t-shirt emblazoned with the Superman logo, knee socks and white shorts, Streisand is shy but coquettish as she sheepishly cocks her head and tugs down on her shirt. Adorable!

Green Day album Dookie

Like Never Mind the Bullocks Here's the Sex Pistols, Green Day's Dookie is more than just a major label debut, it's a pronouncement. Just as the Sex Pistols' album had seventeen years prior, Dookie makes the statement: "We're here; we're kicking the effing doors in and we're changing the face of punk." Unfortunately, despite the fact that their lone album is considered one of the seminal works of its genre, the Sex Pistols didn't last. Green Day, however, is closing in on five decades of punk rock relevancy. 

Dookie's cover is everything you'd expect from a punk album -- frenetic, irreverent, iconoclastic. In a jam-packed R. Crumb-like illustration by artist Richie Bucher, we see bombs dropped from a plane, a giant mushroom cloud, the "Bad Year" blimp, funny renderings of Patti Smith, fat Elvis and AC-DC's Angus Young; a satyr, a prospector, a giant talking fly, the woman from the first Black Sabbath album, and tons of dogs hurling their feces.

Apart from all the (often scatological) chaos you'll find, the Dookie cover is also a tribute to Green Day's old stomping ground of East Bay, San Francisco. The setting of the entire illustration is downtown Berkeley and Bucher includes representations of several locals from the East Bay punk scene along and the UC Berkeley Marching band. There's also a shout out to Huey Newton, the former Black Panther leader whose base of operations was just a few miles to the south in Oakland, 

This is nowhere close to a full list of all the characters, Easter eggs and inside jokes included on this cover. I bought it when it first came out in 1994 and honestly, I'm still discovering things I hadn't previously.

March 14, 2024

This World Changing Event Took Place Under Cover of the New Millennium...

Cover of The New York Times from Jan 1, 2000

While exploring the Pop Culture Fiend Archives, I came across the New York Times from Jan 1, 2000 -- which I obviously saved because it was the first 21st century edition of one of the largest newspapers in the country. Upon examination, I noticed that overlooked among the banner headline and all the talk about the new millennium was a story about the surprise resignation of Russian President Boris Yeltsin and the installation of one Vladimir Putin. 

Yeltsin resigned due to several factors, including instability in his Cabinet, health issues, a bribery scandal, and cratering popularity among the Russian people due to overall ineffectiveness. Under Putin, Russia has reverted toward its former identity on the world stage as an aggressor, enemy of the U.S., and a major threat to world democracy. Indeed, "President" Putin has become a de facto dictator who, in just a few days, will almost certainly be "elected" to his fifth term thanks to his continuous suppression and outright elimination of any true opposition. 

For close to a quarter century now, Putin has created havoc across the globe -- allying with State Sponsor of Terrorism-designated Syria, cozying up with communist China, invading and advancing a war against Ukraine, poisoning and otherwise assassinating multiple political enemies, interfering in the 2016 U.S presidential election, and rigging elections in his own country. 

Clearly we all had no idea how thuggish and sinister Putin would be back on 1/1/00 but this issue of the New York Times unknowingly announced the start of it all.

February 29, 2024

FX's Capote vs. The Swans & How Iconic 80's Actresses Diane Lane, Molly Ringwald & Demi Moore Make it Great

 

One of the most enjoyable things about Murphy's series: seeing the three most iconic actresses of the 1980's sharing the screen for the very first time... we have Diane Lane, Molly Ringwald and Demi Moore who, forty-plus years after their initial fame, crush their roles and once again show us why they became stars. 

 

We are barely halfway through Ryan Murphy's latest offering, Feud: Capote vs. the Swans but we've already been treated to a once in a decade type performance by Tom Hollander who positively disappears into his (title) character role. Hollander perfectly captures Capote's dual nature -- amusing and endearing but also pompous and infuriating --- and also replicates his speech and mannerisms so precisely it's practically spooky. (To be honest, they should just skip the ceremony and give him the Emmy right now.)

That said, the "Swans" referred to in this series are a group of elite socialites (most of them New York-based) who befriended and patronized Capote after he reached fame with his sensationalistic novel In Cold Blood. After years of trusting some of their most guarded secrets to the author, he reveals them in a Esquire article that included excerpts from a new book titled Answered Prayers. The group then proceeded to ostracize Capote, forever banishing him from the high society circle he relished so much. Capote supposedly coined the term "Swans" to describe these women that were, by all appearances, perfectly composed but in reality were carrying tremendous weight and beneath the surface were always paddling furiously to keep themselves afloat.  

Often, elements of this story and the reaction of the Swans to Capote's betrayal are difficult to understand. Why would these women -- wealthy, refined and entrenched in the upper crust of society, care so much about Truman? Why are they so devasted when he exposes them this way? And why do they second guess themselves for even a minute about cutting them out of their lives?

It's because Capote's assessment of them was correct. Beneath their veneers of perfection, these women are struggling mightily. They've lost their identities after marrying bankers, European royalty, and other rich and powerful men and now deep down perhaps they're realizing that most of what they've accomplished was only made possible through their family and social connections. Maybe they're awakening to the thought that although they're the envy of many, their lives are largely empty, short of pruning the perfect garden, earning "best dressed" honors, or planning Truman's famous Black and White BallOr maybe the betrayal thrust these women into turmoil due to simple embarrassment. For the Swans, appearances (we quickly learn) are paramount. Confronting Truman and making a scene in a swank restaurant they frequent is deemed just as much a sin as the betrayal itself. Likewise, husbands' infidelities are tolerable but the thought of others knowing is not.

It speaks to why Capote was able to fall in with the Swans in the first place. He ingratiates himself with flattery, preying on their superficiality and appearance consciousness, even going so far as to toy with them (and send them into a competitive tizzy) by suggesting he'll be choosing one of them as guest of honor at his ball. In spite of his not so subtle pandering and social climbing, the Swans adopted Truman, introduced him to power brokers, brought him along on lavish vacations, all while sharing their personal doubts and fears. So yes they are clearly victims but not entirely sympathetic due to their own snobbery and pretentiousness. All of this makes them rich, multi-layered characters that any actress (particularly those of a certain age) would love to play.

Which brings me to one of the most enjoyable things about Murphy's series: seeing the three most iconic actresses of the 1980's sharing the screen for the very first time. In addition to Naomi Watts as Babe Paley, wife of CBS head William Paley; Calista Flockhart, as Lee Radziwill, younger sister of Jackie Kennedy, and Chloe Sevigny as fashion icon and author C.Z. Guest, we have Diane Lane, Molly Ringwald and Demi Moore who -- forty-plus years after their initial fame -- crush their roles and once again show us why they became stars.

Diane Lane - Time Magazine cover

Diane Lane first grabbed headlines at age fourteen when she starred opposite Sir Laurence Olivier in the 1979 feature A Little Romance. Olivier called her "the next Grace Kelly" and Time magazine put Lane on the cover, proclaiming her one of Hollywood's "whiz kids." This was at a time  when print was still a dominant form of media, so for a respected world news magazine like Time to dedicate a cover story to a Hollywood actress (especially one still in her early teens) was practically unprecedented. 

Lane next made waves in the cult classic Ladies and Gentlemen, the Fabulous Stains and the more mainstream family pic Six Pack. At the famous casting sessions for Francis Ford Coppola's adaptation of The Outsiders, she beat out a who's who of other young ingenues for the role of the beautiful and conflicted Cherry Valance. The performance earned Lane a Young Artist Award nomination. Coppola was so taken with Lane that he cast her in his next film, Rumble Fish (also based on an S.E. Hinton novel.) 

Diane Lane - Playboy 1985 (from the Pop Culture Fiend Archives)

In 1984, Lane took on the role of Ellen Aim, a kidnapped rock star in Walter Hill's vastly underrated Streets of Fire and later that year she scored her first "adult" role as singer/gun moll Vera Cicero in Coppola's brilliant The Cotton Club. Lane was just eighteen during shooting (her co-star Richard Gere was thirty-four) but brought a sultriness to her performance that helped establish her as one of Hollywood's leading screen sirens. (She would go on to star in two other films opposite Gere, the acclaimed Unfaithful -- for which she earned a Best Actress Academy Award nomination -- and Nights of Rodante, adapted from the Nicholas Sparks novel.)

Diane Lane's other 1980's film roles included stripper/femme fatale Lorry in The Cincinnati Kid-esque The Big Town, and lead in the erotic thriller Lady Beware. She closed out the decade with an Emmy nominated performance in 1989's Lonesome Dove miniseries. 

Diane Lane as Slim Keith in Feud: Capote vs. The Swans

Lane has one of the meatiest roles in Feud, portraying Nancy "Slim" Keith, who wed filmmaker Howard Hawks and Broadway producer Leland Hayward before marrying into British royalty. According to some accounts, Slim helped Capote land high powered agent Swifty Lazar and a million dollar book deal. Lane's Slim is resolute in her disdain and quest for revenge after Capote's backstab and Lane's strong performance portrays her as the icy ringleader of Capote's ostracization. As she did with her character in The Cotton Club, Lane plays Slim as calculating, direct and in charge. When it comes to the Swans, she is "the center of the center" -- as Slim describes herself in episode 3. Lane is also fantastic at replicating the high-born accent and affectations of New York's upper crust.

Though she's three years Lane's junior, Molly Ringwald's career path was eerily similar -- from starting out as a child actress, to having a cover story crowning her the new face of young Hollywood, to having her career propelled forward by a genius director. She first gained attention for her lead role in the west coast production of the stage play Annie. In 1979, at just eleven years old, she played Molly in the The Facts of Life but the show was retooled after its first season and the cast drastically reduced. It was a lucky break for Ringwald; she quickly found success in feature films, beginning with 1982's Tempest, for which she earned a Golden Globe nomination. But it would be 1984's Sixteen Candles that would rocket the young actress to fame. Writer-director John Hughes cast Ringwald as the film's protagonist Samantha Baker, a high school sophomore whose sixteenth birthday is forgotten in the chaos surrounding her older sister's wedding. Ringwald was praised for her tender and authentic portrayal and the film helped propel the teen movie genre into its High Renaissance. 

Like Coppola did with Diane Lane, Hughes was inspired by Ringwald and cast her in his next project -- the film that would come to define Gen X, The Breakfast Club. Ringwald would become something of a muse for Hughes and she next took on the lead role in the director's follow up, Pretty in Pink. A few weeks after the film's release, Ringwald was on the cover of Life magazine in a special issue that christened her as "Hollywood's Teen Queen". Two months later, her own Time magazine cover story cemented this status.

At this point, Molly was eighteen and ready to take on more mature roles. She turned down Hughes' Some Kind of Wonderful and starred as Cordelia in Jean Luc Godard's avant garde exploration of King Learplayed opposite Robert Downey Jr. in the Warren Beatty-produced The Pick-Up Artist; and finished her 80's run with the comedy For Keeps and the drama Fresh Horses, adapted from the stage play.

Molly Ringwald - career progression

In Feud, Ringwald plays Joanna Carson, ex-wife of Johnny, who (like the New York Swans) is taken with Capote's charm, wit and intellect. Carson adopts the discarded Capote and brings him into her circle of elite (this time Hollywood) friends. Ringwald's signature red tresses are colored brunette for this role and at fifty-five years old she naturally no longer possesses her waif-like figure, so it's easy to forget who you're watching. As Carson, Ringwald brings the same effusiveness she did with her Pretty in Pink character Andie and her compassion for Truman is on display in several pathos-rich scenes that portray the man at his lowest.

Demi Moore's road to 1980's stardom was far different than Lane's and Moore's. She wasn't an accomplished child actor and in 1983 -- at the exact same time Lane was shooting scenes with the Academy Award-winning Coppola and Ringwald was about to become the face of the American teenager -- Moore was earning her bones as a recurring character on General Hospital. But in 1984, she starred opposite Michael Caine in the charming but overlooked romantic comedy Blame it On Rio. Though newcomer Michelle Johnson was the breakout star, it was Moore's first major film and she soon began a slow climb to success that would culminate with a run of critical and commercial successes through the 1990's. Ghost, A Few Good Men, Indecemt Proposal, Disclosure and Striptease (the film that made Moore the highest paid actress in Hollywood) were all in her future, along with her own iconic magazine cover, but her rise to fame largely began with the sweet and quirky 1984 teen comedy No Small Affair. The role of Jules in the seminal Gen X coming-of-age drama St. Elmo's Fire followed, as did a relationship with co-star Emilio Estevez and membership in the famous "Brat Pack". Moore then played John Cusack's love interest in One Crazy Summer and re-teamed with her St. Elmo's co-star Rob Lowe in the beloved About Last Night, both released in the summer of 1986. 

Her next film, The Seventh Sign (despite being highly anticipated) was a box office flop. Moore then closed her 80's career with the role of Molly -- a prostitute who befriends two escape convicts (Robert DeNiro and Sean Penn) masquerading as priests -- in the much-hyped Christmastime release We're No Angels.

Interestingly, though her box office hit rate was spotty, Moore's career never stalled during the eighties. She married Bruce Willis, who at the time was starring in the ABC hit Moonlighting but with the release of 1988's Die Hard would soon become a full on movie star. He and Moore became Hollywood's "it" couple which helped Demi move solidly onto Hollywood's A-list -- where she basically remained until the 2000's.

Demi Moore at the Feud: Capote vs. The Swans premiere

In Feud, Moore plays Ann Woodward, a former radio star and showgirl who was married to wealthy  banker William Woodward Jr. In what would become one of the biggest stories of its day, Ann killed William after mistaking him for a burglar. Speculation that it was murder ignited after Capote's book preview, which included a character based on Ann who was painted as a gold digger and murderess. In real life, Capote seemed to have personal disdain for Ann and publicly accused her of killing her husband.

Moore gives us a picture of Ann battling depression and straining to maintain her dignity amid the public stares. She displays venomous anger in certain scenes and intense vulnerability in others. At the ball, we see Moore at her best, portraying calm and elegance -- but when Truman calls security to have her ejected we see her shaken, pleading, humiliated. It's a scene where Moore demonstrates swan-like comportment as she calls Truman out for his misdeeds and it's reminiscent of another emotional scene in which Moore displayed similar range -- the break up scene in About Last Night.

For Lane, Ringwald and Moore, streaming shows and other high end television like Murphy's Feud offer strong, female lead roles that come few and far between in feature films. Past the age where they can star in rom-coms, take on "lethal lady" action roles (e..g., Black Widow, Atomic Blonde) or other parts written for younger actresses, fifty-something actresses are these days too often relegated to lesser fare -- guest shots on network shows or if they're lucky perhaps a starring role in their own series (think Tea Leoni in Madame Secretary or Julia Louis-Dreyfus in Veep.) Thankfully, Capote and the Swans shines a spotlight on three of the most talented and beloved mature actresses who by chance came up at almost the exact same time. You literally could not have chosen three women more representative of young Hollywood during the 1980's than these three. In fact, you almost wish Murphy would have made it an all-80's party and given the Watts, Sevigny and Flockhart roles to Elisabeth Shue, Lea Thompson and Winona Ryder instead.

Maybe next time : )

Feud: Capote vs. The Swans